Democracy

July 4th, 2009

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Today we have announce DEMOCRACY our first exhibition (well it’s actually our third, but this is way beyond anything we have tried before, perhaps it’s best described as our first proper exhibition), which will be part of Design Event 09, the North East Design Festival.

DEMOCRACY is an incredibly exciting project for us, it uses a groundbreaking format to change the way that audiences interact with an exhibition. Today we launched the call for entries which asks designers and illustrators to respond to a brief by creating an artwork on the theme of democracy, and later this month we will start to accept these entries through the exhibition website.

The participatory nature of the exhibition won’t stop there, the community will not only create the artworks in the exhibition, they will also select what is displayed through a public vote on the website. While this kind of ‘crowd sourced’ exhibition has been tried before (most notably by Brooklyn Museum and TATE) the exhibition continues the audience interaction on a level not attempted before.

When the exhibition opens in October, visitors will be able to continue to vote for the artworks they like and their votes will instantly be reflected in the exhibition space, where all the artworks will be digitally displayed. When an artwork receives more votes, it grows in size compared to the pieces displayed around it, so the exhibition will be constantly changing hour by hour, day by day.

As well as the digitally displayed exhibition showing the changing popularity of the work, we will also display comments posted about the artworks on the online community.

The exhibition will be accompanied by a book, also called DEMOCRACY.




Speaking Social Media

June 27th, 2009

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I spent the last few days in Malaga at Communicating the Museum enjoying the sun, socialising and talking about how Social Media is changing the way that we market culture.

The two days provided plenty of inspiration, with presentations from institutions including Brooklyn MuseumThe Metropolitan Museum of Art, BarbicanMuseo Thyssen-Bornemisza and Museo Picasso Málaga.

It wasn’t all sun and sangria for me I was there to give a talk about how to communicate your brand on social networks and to take part in a panel discussion. You can read a summary of what i spoke about below:

For those responsible for museum brands, the opportunities that social media provide come with new challenges: how can you control your brand in a space that offers little or no control.

The bad news is that whether you like it or not, nobody needs to ask your permission to talk about your museum on a blog or tell a friend about an exhibition on Facebook – positively or negatively – so your brand is already in this social media space.

You can’t control the conversation but you can participate in it. Take a minute to think about what your brand really is. Is it your logo? Is it your advertising campaign? Your collection? Your building? No, it is none of these things: your brand is the perception that people have of your organisation. You have never had total control over it, you have only ever been able to use all these touchpoints to help to shape this perception, and in the social media space that is no different.

Your first step in taking your museum and your brand into Social Media is to learn about these websites and, most importantly, how your audiences are using them. Each website has a different set of unwritten rules and spending time looking and listening helps you get into them. You start to realise that now any- and everybody gets to create content, distribute content and control their own user experiences and you can then consider how a museum can fit in to this.

Jumping into websites like Facebook, Twitter and Flickr without understanding how these spaces work can be damaging to a museum’s brand, because it projects the image of an institution who can’t be bothered to learn how a space which is important to its audiences works.

 Social media is here to stay, it isn’t a fad, and while Facebook or Twitter may fade, people expecting to be part of the conversation rather than just talked at will not go away, and we need to adapt our brands to exist in this world.




Ipswich Museum

June 12th, 2009

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We spent last week in Sussex running brand workshops with Colchester & Ipswich Museums, a service which we are currently rebranding.

The Ipswich Museum was our home for one day of workshops and we got the chance to explore the Victorian natural history displays before the doors were open. This gave us a real ‘Night at the Museum’ experience as we came face to face with the animals who have probably called the building home since it opened over 130 years ago.

It is a wonderful collection, and I am glad that we’ll be playing our part in it’s history. You can see more pictures from our visit to Ipswich Museum on Flickr.




Banksy v Bristol Museum

June 12th, 2009

I can’t wait to visit the new Banksy exhibition announced today at Bristol Museum.




Meeting the needs of different website audiences

June 8th, 2009

Last week I visited the new Great North Museum : Hancock in Newcastle for the first time, partly to quell my intrigue about this exciting new venue, but mostly as a new outing for my two sons. We started in the Mouse House, a room designed for exploration by the under fives. There were various things for children to look into – behind flaps, in a piece of climbable ‘cheese’ and on a giant table. There were plenty of children in and out of the room and it kept them entertained for a good stretch of time. However, I found it strange that none of the objects in the room had labels on. I assume that this is a strategic decision to allow children to feel free to explore and to emphasise that it is a fun area not a learning one.

However, it seemed like a missed opportunity to me. The labels could easily have been placed to the side or under more flaps or exploratory gadgets for those keen to find them. These could be ignored by children not interested in the detail but would avoid the stream of parents having to guess. It would also actually have been nice to have some extra information for parents – a chance to read about a stoat/otter/thingy whilst waiting for your children to have their fill of the giant padded cheese.

This is an issue often faced by museums when preparing content for their websites – how to distill sometimes vast and indepth information for their different audiences, from academics to lazy socials. The answer is in well-designed layers of content and the internet is the ideal medium for it. With full use of headings, sub-headings, quotes, reveals, downloads, captions and various kinds of links (jump links, further information, related links etc.) users should be able to directly find all the information they want and no more.

A client recently asked us how they could manage all the myriad pages of their website now that they needed content for each of their audiences. Our suggestion was to simplify the site to only one page on each topic, not one page per audience per topic, and to colour-code areas within each page for the content to suit each audience. This would not only make the site clearer for users and editors, but also allowed for users and editors, but also allowed for users who were a combination of audiences types – ’skimmers’ in relation to some topics, and ’swimmers’ for others. We also helped them plan navigational routes through the site, either horizontally – an overview of everything or an in-depth view of everything – or vertically – a logical path through one topic – with links to change direction at each step.

Following this approach should mean that you don’t lose any visitors as a result of a lack of information: ‘There’s an event on but I don’t really understand what it’s about’ or the reverse: ‘I couldn’t be bothered to wade through it all’. And hopefully you won’t give any parents like me the underwhelmed inferior feeling: ‘Erm, it’s a rodent of some kind. Look there’s a dinosaur!’




Tate and the power of Twitter

May 27th, 2009

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I recently mentioned the Robert Morris, BodySpaceMotionThings installation at Tate Modern on Twitter (you can see my posts above). I first mentioned it when I noticed the exhibition in the paper, then I sent a note to a friend who I thought would get a kick out of the exhibition and finally I linked to some pictures I had posted on photo sharing website Flickr. 

One of the cool things about Twitter is the Retweet. If someone likes something that I write on Twitter they can Retweet it to everyone who is following them. Basically rebroadcasting this information to their own network of readers.

Two people who follow me on Twitter did choose to retweet a link about the exhibition at Tate Modern, and interestingly both picked up on the message I sent to my friend. 

Between matwater213 and GettyMuseum my message to a friend about something I thought she would think was cool was rebroadcast to the over 10,000 people.

I think this demonstrates the power of Twitter, while I might have told a few people about the exhibition five years ago, social media amplifies word of mouth, connecting me with thousands.




Bodyspacemotionthings

May 22nd, 2009

I visited Tate Modern tonight for the opening of Bodyspacemotionthings and it blew me away.

We have been spending a lot of time at Sumo planing out a new exhibition which we are producing as part of the North East Design Festival, Design Event. We want to raise the bar on audience interaction and produce the most interactive exhibition ever produced, but after tonight I have to admit defeat. Whether it is art or not is a matter of debate but I have never seen people engage with a gallery on the level of Bodyspacemotionthings.




@brooklynmuseum

May 22nd, 2009

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I was in New York last week, and took the chance to visit the excellent Brooklyn Museum for the first time, it was nice to see this sign suggesting Twitter as a place for the public to leave feedback. This idea works brilliantly as a marketing tool as every comment will virally promote the museum and it’s exhibitions and will show up in searches.

Want to see just how many people are talking about the Brooklyn Museum on Twitter, click here 




Restroom sponsorship

May 22nd, 2009

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The wonderful NewMuseum in Manhattan take sponsorship to a whole new level.




Freud Museum

April 28th, 2009

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This is an illustration of the Freud Museum by Scottish illustrator Iain McIntosh for a project we are doing for six of London’s small historic houses, who are combining forces to promote their joint offering to visitors.

London Shh… (London Small Historic Houses) will launch in June.